{"id":4246,"date":"2022-12-15T20:48:41","date_gmt":"2022-12-15T19:48:41","guid":{"rendered":"https:\/\/ismfrance.org\/?p=4246"},"modified":"2022-12-15T20:50:17","modified_gmt":"2022-12-15T19:50:17","slug":"fievre-mediterraneenne-ou-la-palestine-condamnee-a-survivre","status":"publish","type":"post","link":"https:\/\/ismfrance.org\/index.php\/2022\/12\/15\/fievre-mediterraneenne-ou-la-palestine-condamnee-a-survivre\/","title":{"rendered":"\u00ab Fi\u00e8vre m\u00e9diterran\u00e9enne \u00bb ou \u00ab la Palestine condamn\u00e9e \u00e0 survivre \u00bb"},"content":{"rendered":"

Un film de Maha Haj, r\u00e9alisatrice palestinienne, de Ha\u00effa [Palestine de 48], avec Amer Hlehel [Walid] et Ashraf Farah [Jalal].<\/i><\/span><\/span><\/span><\/em><\/p>\n

\"\"<\/a>

Fi\u00e8vre m\u00e9diterran\u00e9enne \u00a9 Dulac Distribution<\/p><\/div>\n

Claude Zurbach<\/b><\/a> – <\/b><\/strong>Le film (*) de Maha Haj (**) se situe \u00e0 plusieurs niveaux, lesquels finissent pourtant par se confondre.<\/span><\/span><\/span><\/p>\n

Il traite d\u2019un fait universel, qui est de la difficult\u00e9 de vivre et du choix explicite ou implicite d\u2019y mettre fin ou non. Mais le cadre de ce dilemme est une communaut\u00e9 qui vit un enfermement, mental et physique, une situation de discrimination, de s\u00e9gr\u00e9gation, de\u00a0<\/span><\/span><\/span>spoliation<\/b><\/span><\/span><\/span><\/a>, qui d\u00e9multiplient cette difficult\u00e9 existentielle.<\/span><\/span><\/span><\/p>\n

Les Arabes isra\u00e9liens, ou \u00ab Palestiniens de 48 \u00bb de la ville d\u2019Ha\u00effa, sont issus de la petite minorit\u00e9 qui a pu rester sur place en 1948, apr\u00e8s le nettoyage ethnique de la Palestine historique qui a vu la tr\u00e8s grande majorit\u00e9 de sa population arabe terroris\u00e9e puis\u00a0<\/span><\/span><\/span>expuls\u00e9e<\/b><\/span><\/span><\/span><\/a>\u00a0de son foyer national par les milices de ce qui allait devenir l\u2019Etat isra\u00e9lien.<\/span><\/span><\/span><\/p>\n

Walid, est un p\u00e8re de famille entour\u00e9, soucieux de ses deux enfants, et dont l\u2019\u00e9pouse est assur\u00e9ment patiente et attentionn\u00e9e. Il est d\u00e9termin\u00e9 malgr\u00e9 cela \u00e0 mourir. Ses sympt\u00f4mes d\u00e9pressifs sont bien identifi\u00e9s et son mal-\u00eatre fait depuis deux ans l\u2019objet d\u2019une th\u00e9rapie, mais sans aboutir. On comprend qu\u2019il a abandonn\u00e9 pr\u00e9c\u00e9demment son emploi dans une banque, et qu\u2019il a (ou a eu) le projet d\u2019\u00e9crire un roman.<\/span><\/span><\/span><\/p>\n

Sa famille vit de ses \u00e9conomies mais semble-t-il, avant tout du revenu r\u00e9gulier assur\u00e9e par son \u00e9pouse. Walid appara\u00eet comme tr\u00e8s autocentr\u00e9, un peu \u00ab g\u00e2t\u00e9 \u00bb dirions-nous, mais ceci n\u2019\u00f4te rien \u00e0 sa souffrance, et sa procrastination devant l\u2019acte d\u2019\u00e9crire est pour lui une source d\u2019angoisse suppl\u00e9mentaire.<\/span><\/span><\/span><\/p>\n

La Palestine appara\u00eet tr\u00e8s explicitement, entre autre, dans plusieurs cadrages sur les faits quotidiens de Walid : des portraits au mur de\u00a0<\/span><\/span><\/span>Ghassan Kanafani<\/b><\/span><\/span><\/span><\/a>\u00a0et\u00a0<\/span><\/span><\/span>Mahmoud Darwish<\/b><\/span><\/span><\/span><\/a>\u00a0lorsqu\u2019il se met devant son ordinateur, o\u00f9 des sc\u00e8nes t\u00e9l\u00e9vis\u00e9es d\u2019affrontements en Cisjordanie, de bombardements et destructions dans Gaza au moment o\u00f9 il s\u2019\u00e9tale sur son canap\u00e9 dans l\u2019espoir de dormir.<\/span><\/span><\/span><\/p>\n

De ce fait, la souffrance de Walid n\u2019est pas une m\u00e9taphore, mais un \u00e9l\u00e9ment d\u2019une souffrance collective qui couvre toute la Palestine historique (\u00ab de la mer M\u00e9diterran\u00e9e au fleuve Jourdain \u00bb) et pour cette raison ce film doit \u00eatre interpr\u00e9t\u00e9 au premier degr\u00e9.<\/span><\/span><\/span><\/p>\n

Sa rencontre avec Jalal, devenu son voisin de palier, p\u00e8re de deux fillettes, va bouleverser ce\u00a0<\/span><\/span><\/span>statu quo<\/i><\/span><\/span><\/span><\/em>. Jalal appara\u00eet comme l\u2019antith\u00e8se de Walid ; il est expensif, bruyant, chaleureux, vivant d\u2019exp\u00e9dients et avouant lui-m\u00eame et sans honte \u00ab \u00eatre entrenu par sa femme \u00bb \u2026 finalement comme l\u2019est Walid.<\/span><\/span><\/span><\/p>\n

En d\u00e9finitive, ce sont les femmes palestiniennes qui paraissent avoir un r\u00f4le central dans le fait de tenir \u00e0 bout de bras une communaut\u00e9 dont les hommes ont tendance \u00e0 apporter de [tr\u00e8s] mauvaises r\u00e9ponses \u00e0 des questions existentielles et de fond.<\/span><\/span><\/span><\/p>\n

Pour Jalal, la Palestine est une lubie, ce qu\u2019il dit cr\u00fbment, m\u00eame s\u2019il est un \u00e9rudit en po\u00e9sie classique arabe. Cette \u00e9rudition est chez lui vivante, et la po\u00e9sie est un objet de son quotidien.<\/span><\/span><\/span><\/p>\n

Jalal est aussi un d\u00e9linquant, flirtant m\u00eame avec le banditisme, ce qui est le reflet d\u2019un probl\u00e8me r\u00e9current dans la soci\u00e9t\u00e9 arabe et palestinienne en Isra\u00ebl, laquelle a tent\u00e9 ces derni\u00e8res ann\u00e9es de\u00a0<\/span><\/span><\/span>r\u00e9agir<\/b><\/span><\/span><\/span><\/a>\u00a0\u00e0 cette plaie, tol\u00e9r\u00e9e si ce n\u2019est encourag\u00e9e par la police isra\u00e9lienne.<\/span><\/span><\/span><\/p>\n

Jalal et Walid se lient pourtant d\u2019amiti\u00e9, et c\u2019est surtout \u00e0 l\u2019initiative de Jalal, lequel finit par s\u2019imposer comme le personnage principal du film : il est plein de contradictions, apparemment sans inhibition et m\u00eame parfois violent, mais d\u2019une nature tr\u00e8s g\u00e9n\u00e9reuse et avec une vraie volont\u00e9 de vivre.<\/span><\/span><\/span><\/p>\n

Walid se laisse un peu emporter par la nature de Jalal, qui lui redonne une certaine \u00ab pulsion de vie \u00bb, bien que l\u2019id\u00e9e du suicide reste bien pr\u00e9sente. Et Walid est moins innocent qu\u2019il n\u2019y para\u00eet.<\/span><\/span><\/span><\/p>\n

La \u00ab r\u00e9ponse \u00bb que Jalal finit par apporter \u00e0 Walid n\u2019est sans doute qu\u2019un sursis pour ce dernier, mais s\u2019il faut \u00e0 tout prix trouver une all\u00e9gorie au film, ce balancement entre la vie et la mort est peut-\u00eatre embl\u00e9matique de la vie de la Palestine : spoli\u00e9e, m\u00e9pris\u00e9e, enferm\u00e9e, parfois d\u00e9sesp\u00e9r\u00e9e mais toujours vivante et\u00a0<\/span><\/span><\/span>unie<\/b><\/span><\/span><\/span><\/a>\u00a0au fil du temps.<\/span><\/span><\/span><\/p>\n

En r\u00e9sum\u00e9, en plus d\u2019une mise en sc\u00e8ne irr\u00e9prochable et d\u2019un\u00a0<\/span><\/span><\/span>casting<\/i><\/span><\/span><\/span><\/em>\u00a0de grande qualt\u00e9, \u00ab Fi\u00e8vre m\u00e9diterran\u00e9enne \u00bb est un film sans concession et lucide, loin de toute r\u00e9thorique militante et qui rend perceptible, \u00e0 sa mani\u00e8re, toute la pr\u00e9sence d\u2019une Palestine condamn\u00e9e \u00e0 survivre.<\/span><\/span><\/span><\/p>\n

Notes :<\/b><\/span><\/span><\/span><\/strong><\/p>\n

*<\/b><\/span><\/span><\/span><\/strong>\u00a0Sortie en salle en France : 14 d\u00e9cembre 2022<\/span><\/span><\/span><\/p>\n

**<\/b><\/span><\/span><\/span><\/strong>\u00a0Lors de la projection du film \u00ab Fi\u00e8vre m\u00e9diterran\u00e9enne \u00bb \u00e0 la 75e \u00e9dition du Festival de Cannes, le 25 mai 2022, Maha Haj a d\u00e9di\u00e9 son film \u00e0 la journaliste palestinienne\u00a0<\/span><\/span><\/span>Shireen Abu Akleh<\/b><\/span><\/span><\/span><\/a>, assassin\u00e9e par les troupes isra\u00e9liennes d\u2019ocupation \u00e0 J\u00e9nine, le 11 mai 2022.<\/span><\/span><\/span><\/p>\n

\n

Auteur<\/strong> : Claude Zurbach, responsable d’\u00e9dition de la version fran\u00e7aise du Palestine Chronicle<\/a><\/em><\/p>\n

Source<\/strong> : Chronique de palestine<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Un film de Maha Haj, r\u00e9alisatrice palestinienne, de Ha\u00effa [Palestine de 48], avec Amer Hlehel [Walid] et Ashraf Farah [Jalal]. Claude Zurbach – Le film (*) de Maha Haj (**) Lire la suite →<\/a><\/p>\n","protected":false},"author":3,"featured_media":4249,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,2],"tags":[120,238],"class_list":["post-4246","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-analyses","category-articles","tag-art","tag-nakba"],"yoast_head":"\n\u00ab Fi\u00e8vre m\u00e9diterran\u00e9enne \u00bb ou \u00ab la Palestine condamn\u00e9e \u00e0 survivre \u00bb - International Solidarity Movement - ISM-France<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ismfrance.org\/index.php\/2022\/12\/15\/fievre-mediterraneenne-ou-la-palestine-condamnee-a-survivre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Fi\u00e8vre m\u00e9diterran\u00e9enne \u00bb ou \u00ab la Palestine condamn\u00e9e \u00e0 survivre \u00bb - International Solidarity Movement - ISM-France\" \/>\n<meta property=\"og:description\" content=\"Un film de Maha Haj, r\u00e9alisatrice palestinienne, de Ha\u00effa [Palestine de 48], avec Amer Hlehel [Walid] et Ashraf Farah [Jalal]. 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